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| In
early 1983,
Tim and drummer Geoff Law began work on what was to become
the first Tim Burness solo album, Burnessence. Funded by a timely inheritance and recorded with engineer Jon Bidgood above a flower shop in rural Berkshire, the album covered a wide range of musical styles, with Tim playing all instruments except drums. The obvious progressive rock influences of Steve Hillage and Steve Hackett were present on tracks such as Breathe The Air and Total Annihilation, while other tracks such as Love Or Confusion were more difficult to categorise. Tim now views the album as full of excellent ideas, but essentially under-produced and with weak vocals. Having made the album with Nuclear Records (300 copies pressed) Tim decided to put a band together to promote it. Bassist Keith Hastings was recommended by Jon Bidgood to Tim, Geoff had previously played together in several projects with keyboard player Alf Wright (one of them with Tim on bass), and on 12th October 1983 Burnessence the band played their first gig at the Elgiva Hall, Chesham. With Tim now living back in Buckinghamshire, early 1984 saw extensive local gigging around the High Wycombe/Amersham/ Slough area, culminating in a major headliner at the Fulcrum Centre, Slough on 6th April. Two coachloads of supporters travelled to the gig from Chesham. Soon after this, Geoff and Alf decided to leave the band to pursue their own musical directions. With a studio already booked in London to begin new recording, Tim called on old friend, drummer and violinist Paul Morris (then with his own band The Real Macabre) to help out, with the keyboard duties being shared between Tim and Keith. Recorded during July and August 1984, again with engineer Jon Bidgood, second album I Am You Are Me was more of a band effort than the first Burnessence album had been. Influences on the music included Marillion and Killing Joke, both popular at that time. Tracks such as Poppadom Rock and Momentum were well produced and benefited from the powerful influence of Paul's drumming, but on other tracks some musical subtlety was lost due to Geoff and Alf's missing contributions to the band sound that had evolved over the previous year. A handful of gigs followed the album's release, with Rick Avory on keyboards and Paul as temporary members. Many frustrating months later, after auditioning countless potential drummers, Martin Smith (keyboards) and Gareth Miller (drums, and probably the best Orson Welles impersonator in the world) eventually completed the new line up with Keith and Tim. |
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